Classical Ballet / Soloist
Born in Moscow, Russia, Gennadi Saveliev began his ballet studies at the Bolshoi Ballet School at the age of nine. At 18 he joined the Bolshoi Ballet Grigorovich Company where his repertoire included the Chinese Doll in The Nutcracker, one of the four cavaliers in Raymonda and the pas de trios in Swan Lake. Saveliev has also danced with the Nevada Dance Theatre, Tulsa Ballet, Los Angeles Classical Ballet and the New Jersey Ballet. Saveliev won the Silver Medal at the 1996 New York International Ballet Competition and was a finalist at the Nagoya Ballet Competition in 1999.
Saveliev joined American Ballet Theatre as a member of the corps de ballet in January 1996. His repertoire with the Company includes the Bronze Idol, the Head Fakir and the Rajah in La Bayadère, the first movement in Bruch Violin Concerto No. 1, the Lead Mazurka/Czardas Dancer in Coppélia, Conrad, Ali, the slave and Lankendem in Le Corsaire, the pas de deux Diana and Acteon, a leading role in Diversion of Angels, Espada in Don Quixote, Demetrius in The Dream, Henry in Christopher Wheeldon’s VIII, the Pastor in Fall River Legend, the pas de deux Flames of Paris, Albrecht, Hilarion and the peasant pas de deux in Giselle, Gaston in Lady of the Camellias, Lescaut in Manon, Camille in The Merry Widow, the Nutcracker-Prince and the Cavalier in The Nutcracker, the Painter in Offenbach in the Underworld, Prince Gremin in Onegin, Sergei in On the Dnieper, a Friend of the Family in Pillar of Fire, the Warrior Chieftain in Polovtsian Dances from Prince Igor, Beranger and the Lead Hungarian Dancer in Raymonda, Paris and Tybalt in Romeo and Juliet, Romeo in Romeo and Juliet (Romeo’s Farewell to Juliet), Prince Désiré and the Bluebird in The Sleeping Beauty, Prince Siegfried, Benno, von Rothbart (Act III) and the Lead Czardas Dancer in Swan Lake, Orion in Sylvia, Lucentio in The Taming of the Shrew, leading roles in Ballet Imperial, The Brahms-Haydn Variations, In the Upper Room, The Leaves Are Fading, Les Sylphides, Symphonie Concertante, Theme and Variations and Without Words, as well as roles in Black Tuesday, Clear, HereAfter, Jabula, Overgrown Path, Petite Mort and Symphony in C. He created leading roles in Rabbit and Rogue and Seven Sonatas.
- American Ballet Theatre